![]() Vox V1141 Super Beatle and Beatle Amplifiers - The V1141 Super Beatle added a feature Vox called a "Distortion Booster," or fuzz tone to the prior V14 and V114 models. The amp was still rated at 120 watts RMS, 240 watts peak into a 2 ohm load. The new amps retained the same three channel design and features as the earlier models. Introduced simultaneously in 1966 in time for the Beatles final US tour, the second generation V1141 and V1142 Super Beatle heads expanded and refined the abilities of the previous V-14 and V114 models. When the MRB button was depressed on the foot switch, you could actually hear the clicking sound of the relay from inside the amplifier. A second single button "egg" shaped foot switch remotely controlled the MRB feature via an electro-magnetic relay located inside the amp. A two button foot switch with a 1/4" TRS (stereo) plug controlled the reverb and tremolo. Two separate foot switches were provided with the amp. Many JMI Vox tube amp heads were prone to electronic damage if the speaker cord accidentally pulled out of the amplifier during performance. Jennings used these locking speaker cables for an important reason. While using what would normally be considered to be a microphone jack in this application might seem a bit unusual, Thomas Organ was simply following the Jennings (UK) Vox tradition of providing locking XLR speaker cables with heads and cabs. The term "Twin", which in Vox parlance implies an amp with two speakers, was somewhat inappropriate for the Super Beatle with four 12" speakers.Ī "round top" Amphenol three pin XLR jack was mounted to the rear panel of the V-14, V114, and earlier V1141/42 amplifiers for speaker connection. The plywood cabinet featured eight plastic "one-pin" corners, a Vox logo handle, six plastic air vents with Vox logos, a horizontal Vox name plate in the upper left corner of the grill and a "Super Reverb Twin" badge in the lower right corner of the grill (see photo at right). ![]() ![]() The "Normal" channel included a "Top Boost" rocker switch while the "Bass" channel featured a sweepable frequency tone control called "Tone-X." The amplifier was housed in a trapezoidally shaped cabinet reminiscent of the JMI Vox AC-30SRT amp head. The three channel amplifier featured tremolo in the "NormalĬhannel, reverb that was selectable to either the "Normal" or "Brilliant" channel and MRB or "Mid Resonant Boost" in the "Brilliant" channel. The amp head was rated 120 watts RMS, 240 watts peak into the 2 ohm load of a V414 Super Beatle enclosure. V-14 or V114 Super Beatle Heads - Introduced in early 1966, the first generation V-14 and V114 Super Beatle circuits are electronically identical and documented on a single Thomas Organ schematic. Thomas Organ introduced three generations of the Super Beatle/Beatle head in the two year period between 19. No use on online auctions, eBay or Reverb. © 1996 - 2023 The Vox Showroom, all rights reserved. ![]()
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